All posts by BookCatat938

Sock Yarn Shawls – Part 7 – falcon

This piece is knitted from the center of the somewhat abstract bird like figure, done in a golden sock yarn, which shades gradually to an orange color.  I took advantage of the color changes to make the  body of the animal in one color and the wings in a different shade.

Once the animal motif was completed, the ground was filled in using a dark charcoal sock yarn.  Lots of short rows and circles, of course.


Here are some detail photos of the shawl to show the  construction.

This shows the center of the body of the animal.  This was created by casting on maybe 20 stitches, then knitting into the back of the cast on stitches and then around to create a circular knit, which was a distorted circle.  Then short rows to make a more ovoid shape.  Then more short rows for base of wings, and so forth.


Here you can see more of the construction of the “bird” as well as the use of small circles and short rows in the background.  You can also see how the color gradation of the yarn was used, and the use of the pattern repeats in the short rows to create feather like patterns in the wings.


This is a photo of the finished shawl on the blocking mats.





Vesuvius – Superstructure and details

Back home in time for hurricane season and back at the bench.

Continuing to construct the main cabin, conning tower, skylights, vents and guns.  For the most part, using cardstock and balsa to keep the weight topside to minimum.


Companionways, skylights, etc.  The hull has been painted with flat white spray paint.  The propeller shafts are left masked off to be ready to apply the red bottom paint later.

Details forward.  The capstan is carved from maple.  The scuttles for the chain storage locker are made from flared copper tubing, as are the hawses.  I will add the brass portholes later.








A bit farther along.  Ventilators are carved from maple.  Portholes are brass eyelets (3/16″) from Tandy Leather, filled with clear epoxy then epoxied into the hull.  I left the brass unpainted as it looked pretty, although the original would have been painted steel.

Superstructure mostly painted a buff (tan) color, with some details in black.  (stack, guns)

Hull after painting the bottom red.  I used a gloss red spray paint.  Probably not entirely authentic, but pretty.






Nearing completion.  The deck furniture and fitting are in place, and the foremast is rigged.   This bow – on shot shows the blunted bow I used on the model.  The actual boat had a very sharp bow, but I did not model it that way, as I thought it would be too fragile if there would be a collision.  As with a dock or something similar.


Finished model.  Anchors are carved from ebony.  Because the deck is removable, the anchor chain is made from a cheap necklace from Michael’s and the necklace fastener used to connect to the anchor as the anchor is fastened to the removable deck, and the chain to the hawse of the hull.  Guns made up from sections of aluminum and brass tubing.


Another shot of the bow to show some detail.

The stanchions were made up from 22 gauge brass wire, then threaded with 20 gauge wire to make railings.

Main battery guns with boom cradle and foremast.  Chocks and bits made up from maple.




Rest of foredeck with companionway, conning tower, and the 2 pounder guns.  I modeled them after Hotchkiss guns of the period, although it is not known what exactly the guns used on the Vesuvius might have been.  Barrels carved from maple and trimmed out with brass wire, brass flat stock.  Base made up from cardstock.







Forward part of the main cabin.  Wheel made up from turned boxwood ring and brass wire.  Wheel base, engine room telegraphs, and binnacle carved from maple.  Life boats carved from pine, then covered with “canvas” made from tea bag tissue and painted.  The coal scuttle access ports are painted buff.  Probably not as on original, but they show nicely when painted this way.

After portion of the main cabin showing the carved ventilators and lifeboats and rigging of the life boat davits.  The small launch can be seen on portside aft of the cabin.

This is the third 2-pounder gun on the stern.  This probably reflects the original armament of the vessel, and was later augmented with additional 2 pounder guns.



Stern view with props in place.  Ready to go.






Another view of props and rudder.





The model atop my desk, with pictures of the original vessel behind it.  Awaiting spring weather for final sea trials.  I did do a bath-tub test to verify waterline and check radio control functions, but will await warmer weather to try the bayou.

Best regards.



Sock Yarn Shawls – Part 6 – free form, fireworks

After finishing the “starry night” shawl, I decided to explore the techniques used in it  a bit more, but incorporating more colorful yarn for the circles, inspired by aerial fireworks of Independence Day celebrations.

And in addition, it gave me a way to use up some left over yarn from other shawls.

Here is the first fireworks shawl:

The background/main color yarn used for this shawl was the Paton sock yarn “Singing the Blues” used for the starry night shawl.  The eight circles were worked up using colorful yarn left from other shawls, specifically the triangular and square shawls discussed earlier.  I selected the color to start each circle according to what I wanted to emphasize and discarded some yarn if the color was not what I wanted.

Here is the shawl laid out so you can see the pattern:








Once again, as I worked on the piece, I would lay it out on blocking mats to see how the shape was coming and decide where to “grow” it next:



Also in this piece, I first tried joining two circles by using the “three needle bind off” method.

Here is a snap of that method of connecting a new circle.  Basically, the two needles, one from each circle, are held together, pointing in the same direction, and a third needle used to knit together one stitch from each needle.  The first stitch is then held on the third needle, the next two stitches knit together, and the first stitch slipped over the second as if binding off.



The number of stitches to “bind off” when using this method to connect circles will vary depending on the size of the circles and whether or not you need to keep them strictly circular.  Sometimes I use short rows to add little triangular ears to a circle to be joined to the work so that I can use the bind off method for a longer area of connection

When using the bind off connection, you can use both the yarn from the main piece and the yarn from the added circle to do the bind off, or you can use one or the other as a single strand, and use the other yarn later when you knit around and incorporate it as you like.  Sometimes this decision is influenced by the colors of the respective yarns, if different.

This is a second fireworks shawl:


This shawl was worked similarly to the first fireworks piece, but in many of the circles, the yarn was switched/changed to make the individual circles more colorful and also to have the same colors appearing in several circles.

Again, I found it very helpful to periodically pin the piece out on blocking mats to evaluate shape and color balance and decide where to add additional circles.  In this photo, you can see there are already seven circles of very different size, and also that I have used the bind off join method more.







Exploring where to add which circle next.  I will start several circles and decide on placement based on which look best as well as where the shawl needs to grow next to have desired shape.

Here two circles have been added but added together.  The two were first joined and then expanded, as I wanted one to “overlap” the other.  Once large enough and with a somewhat flat side, the two were connected to the main work with a bind off.

This shows a circle being joined to the main work with short rows.  The short rows have been worked in the lower part of the picture, below the joining point, and I am about to work back around the smaller circle to work short rows in the space above the joining point.

Here is yet another variation, worked in one multi-colored sock yarn, using multiple circles.


Next projects include more works using multiple circles and free form designs using short rows.  Stay tuned.















Sock Yarn Shawls – Part 5 – free form – starry night

After I had done a couple of circular shawls, I was interested to see how the basic circles could be modified into other shapes, as discussed earlier, but I also thought to combine the circles together using short rows.

The inspiration for the first project was the pattern of concentric circles in gray and blue produced using the Paton sock yarn in the “Singing the Blues” color.  This yarn has shades of blue ranging from a dark navy, to an intense cobalt blue, to lighter blue and gray.  These reminded me of the colors used in some of van Gogh’s paintings, and I decided to try to make a shawl with many circular and spiral “stars” with a background of clouds and night time sky.

I began with a basic circle worked out to about 8 to 10 inches in diameter, then made a similar but smaller circle.  I hooked the two together by working short rows in the space between where the circles touched.  Basically, I knit around one circle’s edge, then simply knit around the second smaller circle edge back to where the next stitches of the first circle could be knit.  At this second join, I knit 3 or 4 stitches, turned (wrap and turn) and purled back about 6 to 8 stitches, turned, and knit back.  On this knit row, I decreased two stitches by knitting two together along the rim of each circle, then knit to one stitch past the first turn, turned and purled back.  I worked short rows for about 1 to 2 inches in this fashion, decreasing 2 stitches in each knit row about 4 to 6 times, then decreasing only one stitch in the knit rows, judging by eye when the curves of the two circles looked best.  Once out several inches, I purled back around the smaller circle to the joining point and repeated the process.  If the yarn in the initial knit stitches at the first join has stretched or pulled out to make an oversize loop, I frequently make up a stitch or two by knitting or purling down a row to tighten up the join.  There is not an exact way to make this sort of join and you should expect to improvise as needed to keep the circles somewhat circular and the short rows lying flat.  Also, as I work the short rows, I will begin to add some yarn-over-knit-two-together “holes” in the area of the joining to break up the otherwise solid patch of stockinette stitch and also the increase the flexibility and stretchiness of this area, which will greatly facilitate blocking.

Here are some photos of this first project:

This is the work in process.  I found it very helpful to periodically pin it out on the blocking mats to monitor how the shape was coming and decide where to add the next circle(s).

This is the completed shawl on the blocking mats.

The two circles more or less in the center were the first to be constructed and hooked together.  Then some short rows filled in around them before more circles were added to the growing edge of the piece.  There are six circles in this part.  Then the two larger circles were worked up and connected to the edge of the piece.  Once all the circles were attached and the spaces between filled with short rows, the perimeter was knit around for a couple of inches, letting the color changes of the yarn make the pattern.  Then, the final several inches was worked around using short rows to make larger patches of the colors of the yarn.  To do this, I just work along on a row and when the yarn color changes, I work a bit farther, then turn and work back to or just before or after the color change, then turn again.  By working back and forth in this fashion, you can make interesting blocks of color of varying shape.  As with most of the shawls, this piece was finished with a final doubling of the number of stitches (yarn over-knit one), a knit row, and binding off.






These are some detail snaps of the piece showing the short rows worked around and between the circles of various size.

And this is the finished shawl:








Sock Yarn Shawls – Part 4 – squares and more

So by now, you should have the concept that you can use short rows to modify the shape of the basic circular shawl into anything you might like.

Here are some examples of shaping variations.

A square shawl on the blocking board.  The yarn is from Lane Cervinia (Italy) “Forever” 75% superwash wool, 25% nylon, color “Partite Pertie”.  The yarn comes in 50 gram balls (210 m) and I used just under three balls to make this 48″ square shawl.

Note that there are multiple uses of short rows in this piece. The initial short rows, in the center, were done after only 128 stitches of the basic circle.  Then the piece was worked out for several inches before again dividing the work into four parts and working short rows over the larger number of stitches, incorporating the lace pattern into these short rows.

Because short rows worked over a decreasing number of stitches produce something more leaf-shaped than strictly triangular, in this piece I also worked some short rows in the area between the large short row sections to straighten the edge of t he piece before finishing off with simple border in the lace pattern, and the usual ruffled finish.

A detail shot of the central motif of the piece, showing the initial short rows and the start of the second set of larger short rows.

The finished shawl:

This is a good time to talk briefly about another design feature of these shawls.  The circular pattern relies on stitch increases which double the number of stitches in a single row.  You can make stitch increases, for example, by knitting into the front and then the back of each existing stitch.  This would make a rather dense looking pattern, so I almost always make my increases by doing the yarn-over-knit-one method described in the basic pattern.  Since I am looking for a very open looking, lacey pattern look to the shawls, I use the increases as part of the open-ness.  But you may like to play around a bit as you experiment with modifying these patterns.


This is, admittedly, a circular shawl (48″), but I show it because the central motif is actually triangular/hexagonal in shape, before returning to the basic circular shape, with spiral.

It was worked pretty much the same as the triangular pieces described above, and then additional short rows worked over the center of the joins of the first triangles.  The thought was to make a six-sided floral looking central portion of a circular scarf.

Once the six points were worked, they were surrounded by knitted rows with short rows filling in between the points to resume a circular pattern.

Yarn is Cascade Yarns, “Heritage Wave”, which is 75% superwash wool, 25% Nylon.  It is a tightly spun 4-ply yarn (on ply is the nylon) and a joy to work with.  It comes in 100 g hanks (437 yds/400m) and one hank did the shawl shown.

Here is the finished product:

Next we will start to have some real fun with the techniques discussed so far.








Sock Yarn Shawls – part 3 – triangles

When I made the first circular shawl, I varied the shape of it by using short rows to create the extensions over the shoulders to allow it to be tied.

Short rows were the key to altering the shape of the basic circle in interesting ways.  I made simple triangles, squares, hexagons and also rather abstract irregular shapes using short rows.  Also, the short rows allowed me to isolate or group colors that occurred in the repeating color changes of the various yarns I used.

This was a first effort using a Paton Kroy Sock yarn (75% washable wool, 25% Nylon) in the “Blue Striped Ragg” color.

I started with the basic circular pattern, using extra knit rounds between the pattern rows to break up the spiral, then, when at about 256 stitches, I divided the work into three roughly equal parts (85/85/86 stitches) on three separate needles, and worked short rows over each section.  I did this by knitting/purling back and forth, decreasing the number of stitches in each row  by making the turn one stitch short of the previous turn each time until one or two stitches remained in the short row, then knitted along the edge of the triangle just finished over to the next section, where I repeated the process.  This created a triangular shaped piece.  Also, the short rows resulted in isolated grouping of the colors as you can see in the photo.

At this point, the shawl could be finished off by simply knitting around the perimeter using whatever variation of the pattern you like.  Remembering to make increases when needed.  When to make the increases is a matter of judgement, as there is no longer the regular repeats of the circular pattern due to the irregular shape.  The best advice would be to make the increases, by doubling the number of stitches when ever you think it might be needed to keep the piece flat and relaxed.  It is always better, and easier to block, if there are too many stitches rather than too few.

In the shawl pictured, however, I decided to use short rows to continue to make small blocks of solid colors as I worked around the perimeter of the piece.  The technique is simply to knit along in whatever pattern you are working until you get a solid color, then work a bit in that color before switching direction and using short rows back and forth until the color changes again.  Working in this manner will give you the opportunity to play around and make patterns as abstract as you may like.

I also did some short runs of stitch increases and additional short rows over the points of the triangle to keep the shape very sharp and maintain the acute angles of the corners.

This is a fun exercise in adapting your knitting pattern to the color changes of the yarn you are using.  The possibilities are endless, and each piece unique.

Here is another triangular shawl early on.  You can see that I have continued the basic yarn-over-knit-2-together pattern into the three triangular short row shapes to maintain the spiral look of the piece.  The basic three points of the pattern are now established.  I added two stitches to the 256 stitches of the basic circle (258 sts) so the three points would have equal number of stitches (86).

The piece is also now on a single 60″ circular needle with markers placed at the points where the three sections join.

Here the same piece is, farther along.  I have added some additional short rows to keep the shape “point-y” as the diameter increases.

And another shot of the work in progress.  As you can see, it is outgrowing the single 60″ needle.  At this point I will add another one or likely two 60″ needles so I can periodically stretch the piece out to monitor the shape of it as it progresses.   Once I finish another piece in progress, which has three 60″ needles in it and the needles are available.

The yarn for this shawl is Patons Kroy Socks yarn, color Purple Haze.  At this point, I am into the second 50 gram ball, and will use a total of about 150 grams.

Here is the finished shawl, on the blocking mats:








And here it is on a manikin.

Vesuvius Hull – Superstructure 1

Vesuvius – main cabin

I fabricated the cabin from card stock and thin plywood to keep the structure light, as I intend to ballast the hull low to keep it stable.

Here is the start of the cabin on the workbench.

I cut out for the windows and doors, saving the cut outs to make frames later.

The cabin sides are fastened to the plywood base and trial fitted into the deck recess.

The circular chart table is modeled, but I later decided not to detail the interior of the cabin, so it just serves as reinforcement.

The plywood top of the cabin is trial fitted  in place, and the windows and doors are framed with cardstock trim.


The cut outs of windows from the cabin are re-cut to make frames for the windows.  Painted and glued to plastic, they will be installed before final gluing of the top plywood piece for the cabin.

The upper deck is 1/64″ plywood, planked with cardstock planks, as the main decks.  Once it is detailed, it will be fastened to the upper plywood former of the cabin.

Windows in place, upper deck planked and installed, smoke stack and life boats roughed out and railings started.


Time to take a summer break and head to Santa Fe!  See you in September.

Sock Yarn Shawls – 2

The first project, described in the first post, turned out pretty well, but had a few areas for improvement.  First, using the two needle technique resulted in an gap made up of more open stitches due to reduced tension at the point the knitting moves from one needle to the other.  Largely the result of my somewhat sloppy technique and poor attention to tension, it can be cured by more precise knitting, or by simply knitting one or two stitches from the second needle onto the first when making the switch to the second needle.  I chose the latter method.

The modified pattern used for basic circular patterned shawls and for starting some of the shawls of different shapes and also for the small circular patterns incorporated in some of the other more abstract patterns is here:

Circular shawl pattern basic

This is a shawl made using the basic pattern and finished as described in the instructions.




This is the piece in on the blocking mats.  It was blocked using stainless steel blocking wires pinned to rubber blocking mats and pinned out to just about 48 ” diameter.  You can see the spiral pattern created by the repeated pattern – the yarn over/knit 2 together with a single knit row between created a definite right-handed spiral pattern, which is attractive and also makes the piece quite elastic with a lovely drape.  Also, you can see the results of the doubling of the number of stitches as the spiral “ribs” double in number with increase.  And the increasing number of rows between each increase is also apparent.

The yarn used for this scarf is from “Viking of Norway” and is the Nordlys superwash wool.  75% wool, 25% nylon, it is a single ply, soft spun yarn that knits up beautifully.  The color was #965.  The yarn comes in 100 gram balls, and I used one ball and about a quarter of a second ball, so it took about 125 grams (about 475 yards/435 m) for a 48″ diameter scarf.

Here is the finished shawl:







You may wish to vary or break up the prominent spiral pattern of the basic shawl pattern.  This can be done several ways.

One easy way is to vary the pattern by doing some knit stitches between the yarn-over-knit-2-together basic pattern.  Such as yarn-over; knit two together; knit 2 (or 3 or 4) then repeat.

Another way is to use the basic yarn-over-knit-2-together row but knit two or three rows of plain knit/stockinette between.  Or even insert a row of garter stitch, by purling around once.

And a third way I have broken up the spiral pattern is to slant the decrease stitch in the opposite direction by doing the opposite of knit-two-together:  slip one stitch as to knit; knit one stitch; pass slipped stitch over.  This works well, but is a bit slower, at least for me, so I don’t use it much.  It was used in the green shawl below as noted.

Here is a circular shawl made using a modified version of the basic pattern above.  Basically, I just varied the yarn-over knit-two-together pattern by knitting several rows of stockinette between.  Sometimes I  also did some garter stitch for interesting texture variations.

This shawl used three 50 balls of Paton “Kroy Socks” yarn, in the “blue striped rag” color.  The shawl is about  40″ in diameter, after blocking.  You can see the ruffled edge in this photo, due to the final increase in stitch count just before binding off.

Below are some detail shots of the shawl, showing how the color changes of the yarn look in the circular pattern, and showing how the pattern was varied to break up or eliminate the spiral.

Here is the finished shawl:














Here is yet another variant of the circular pattern, made also with a Paton Sock Yarn in the “clover colors” version.

In this shawl, I took advantage of the fact that the two row pattern repeat of the basic pattern causes the spiral look as the pattern is repeated, because the yarn-overs all slant in the same direction, and when separated only by one row of knitting, are superimposed and give a slant to the look.  For the last section of pattern repeats, I changed from a yarn-over, to a slip-one-Knit one-pass-slipped-stitch-over, as noted above,  which largely neutralized the slant of the pattern in earlier sections.  In the grey/red/blue scarf above, the interposition of several rows of knitting has a similar effect.

This is another shawl that blocks out about 40 – 45 inches in diameter.  Below is a detail of the pattern showing the spiral and the non-spiral sections.

In the next post, we will talk a bit about starting to vary the shape of the shawl, and also about how to vary the pattern in interesting ways, using short rows.



Shawls from sock yarn – 1

Recently I decided to try knitting a circular pattern shawl from some left over sock yarn in the stash.

The inspiration for the project was Elizabeth Zimmerman’s “pi” shawl, as described in her “Knitters’ Almanac”.  (Dover, 1981)

The book is available from Amazon:

In this project, she uses a crocheted start for the circular pattern.  It is described in the “Almanac”, but not I a way I could understand, so I found a better presentation of the “Emily Ocker” method on YouTube:

In Zimmerman’s project, she starts with 9 stitches, knits a round, then doubles the stitches, with a yarn-over-knit-one increase, (18 sts) then knits three rounds, doubles the stitches again (36 sts), then knits six rounds, doubles to 72 sts, knits 12 rounds, doubles to 144 sts, knits 24 rounds, doubles to 288, knits 48 rows, doubles to 576, and ends soon after, probably just tired of the project.

I modified the basic pattern in a couple of ways,  Although I used the basic plan for doubling stitches and the same number of rows between increases, I used circular needles, beginning with two 16″ needles and working up, through two 24″ needles until I was using one, then two, 48″, later one 60″ needles, switching back to the shorter needle when doing the tails/ties.  I also used a more lace like stitch in the knitted rows rather than straight knitted stockinette stitch.  The stitch I used was basically a yarn-over-knit-two-together pattern which I varied.  Sometimes I did the stitch all the way around, sometimes I did it once or twice and used a varying number of knitted stitches between to create more interesting patterns.  Also, once the piece was near the desired diameter, and I was running out of the yarn leftovers, I used short rows to make two extensions, as ties, so the piece might be a bit more useful.  I did not have enough yarn to make it large enough (60 – 72″) for a circular shawl, so this seemed a reasonable compromise.

For an edge, I made a final round of doubling increases, taking the stitch count to around 1200 sts, then bound off the next row.   This made a rather dense edge which ruffled a bit and permitted blocking with the wires we use by sliding the wires though the holes created by the increase row.  This created a very nice finished edge, a sort of combination of ruffle and picot edge when blocked out.

Here is a snap of the piece on the blocking mats:

The mats are 12″ square, so you can see the piece ended up about 24″ wide and 36″ long.

Detail of the patterns used:

The piece turned out so well, I decided to make more shawls based on variations of the circular pattern.  This decision resulted in trips to yarn stores and purchase of additional sock yarn, entirely neutralizing any benefit of reducing the amount of yarn in the stash.

Here’s a shot of the final result:

The variations used will be discussed in the next post.  Some were straightforward circular patterns making use of the variegated sock yarns to create interesting patterns.  Others were variations is shape, mostly created using short rows.  If you need to refresh on short rows, you might like to do it now, before looking ahead.



Vesuvius Hull – Decks -1

As mentioned before, the unusual shape of the hull led me to ballast heavily low in the hull and to keep the upper portions of the decks and superstructure as light as possible, lest the model turn turtle when in the bayou.

There are basically two decks.  A main deck about two thirds the length of the vessel, and a higher forward deck.  The shape of the bulwarks of the hull reflect these two deck levels and have in addition a third level in the extreme forward part of the hull which is also decked and covers the hawse pipes.

For the deck camber, I used formers cut  using the ship’s lines from the plan as a guide.  I first rough cut out the two main deck pieces from 1/32″ plywood, using the actual hull as a pattern.  Then I laid out locations for the deck formers so they would fall between or adjacent to existing deck beams in the hull.

the formers were extended about half an inch or so to each side and then glued to a building board.

This snap shows the building board, after removal of the deck as discussed later, and two of the extra formers.



After gluing the formers to the board, I then glued the deck pieces to the formers and held the deck in place with rubber bands.

Both deck pieces were constructed similarly.

Once dry, the formers are trimmed to the deck width and then trial fitted to the hull, further trimming the remaining center portion of the formers to fit in the hull.

I then trimmed the decks to more precisely fit the hull, and notched the lower deck to fit inside the forward portion of the hull where it overlaps the upper deck by about half an inch.

For deck planking, I used strips of cardstock cut from manila file folders.  One plan I have shows deck planks on the forward deck and on the cabin top to be narrower than those on the main deck, and I duplicated  this feature on the model.

I glued the cardstock down with waterproof glue then lightly sanded and coated with several coats of polyurethane varnish, which provided a pretty decent white-wood finish for the deck..

This is a snap of the two main decks trial fitted to the hull.

Here I have marked out the position of the main cabin, as I will be cutting out the deck so the cabin will fit just inside the cut out.  I plan to have necessary running controls and switches accessible through this opening so it will not be necessary to remove the entire deck when running the model.